If you read anything today, make sure it is Gaby Wood’s “Supercolossal Street Art,” an extended look at the art of JR.
The article begins –
In a Paris suburb in October 2005, two teenagers of African descent were running away from the police and tried to hide inside a power substation. They were electrocuted instantly. The violence that broke out in protest of police harassment soon spread to neighboring communities and eventually to housing projects across the whole of France. When the media came to document the events in Clichy-sous-Bois, they were met with an additional, unexpected kind of confrontation: behind one of the countless cars in flames was a black-and-white photograph that was pasted onto the side of an apartment building some time before and took up its entire width. From its center, surrounded by a group of boys striking aggressive poses, a black man several times larger than life stared out, pointing with what appeared at first to be a shotgun. On closer inspection, it was a video camera. Get out, he seemed to be saying, we’re recording this too, and we’ll tell the story the way we see it.
Read the rest at the NYT.