It's peak summer, temperatures are hitting 100 degrees, but you're stuck having to work through August – or worse, live in a land-locked city with no water in sight. It's hard to stay cool (both literally and figuratively) when summer's in full force, and if you aren't able to go on holiday like some, you can at least get some inspiration for when you can eventually do so.
There's nothing more satisfying (and absolutely frustrating) than watching a movie set in some exotic locale to get your travel juices flowing. Bear in mind the film at hand must also serve to highlight the destination – nobody wants to go to the New England coast after watching Jaws.
So sit back, and get ready for a little inspiration that'll have you saving for your next trip before you can say "one way ticket to Italy."
Black Orpheus (1959)
Director: Marcel Camus
The explosion of colors, music and general mayhem of the Carnival season draw thousands and thousands of tourists to Rio de Janeiro each year. But rarely has it looked as ravishing as it does in the 1959 classic Black Orpheus, which renders the celebrations in Technicolor so striking you’d be forgiven for thinking someone slipped you a tab of acid before starting the film.
As the title indicates, the story transplants the Ancient Greek tragedy of Orpheus and Eurydice into the hectic favelas of Rio, turning the underworld itself into a costumed street party you could easily spend eternity in. Top it all off with a woozy bossa nova soundtrack and you’re left with a bona fide art-house classic, and an itch to get yourself on the shores of Copacabana ASAP.
The Talented Mr. Ripley (1999)
Director: Anthony Minghella
Adapted from Patricia Highsmith's 1955 novel of the same name, The Talented Mr. Ripley contrasts the tale of a cold, calculating psychopath, with the lush, summer vibes of the Italian Riviera. Aside from an expertly crafted and intricate story, the film stars Matt Damon in the titular role that is likely one of his best. Jude Law and Gwyneth Paltrow round out the bougie characters living a life of excess on the Mediterranean coast, with Anthony Minghella's superb direction giving the film a new lease on a classic story. Even with murder thrown in, Italy never looked so good.
In the Mood for Love (2000)
Director: Wong Kar-wai
Wong Kar-wai's vision of Hong Kong is truly a work of art. Working closely with Australian cinematographer Christopher Doyle, the director's unique style can only be described as visual poetry, with soundtrack, movement and lighting all important aspects of his oeuvre.
Set in 1960s Hong Kong, the film centers on a story of adultery but told from the points of view of the two people who are being cheated on. Wong has said that he wanted to tell a love story that plays out like a thriller. Combine that with the rich aesthetics he's known for, and In the Mood for Love is one sultry look at the city.
Monsoon Wedding (2001)
Director: Mira Nair
This ensemble cast, comedy-drama deals with an arranged Indian wedding in Delhi, and the horde of family that flies in for it from various parts of the world. It's an honest portrayal of middle-upper class Indian society, while some aspects touch on the country's widespread poverty, keeping it grounded in reality. Tackling love, family and life drama – but not without a laugh – Monsoon Wedding is a modern story that really comes down to celebrating life, and you'd know it from the color explosion that plays out onscreen.
Japanese Story (2003)
Director: Sue Brooks
Australia is many things, yet the first thought that comes to mind for most foreigners is the great red outback. It's undoubtedly a stunning sight to behold, but it doesn't come without its own folklore and proceed-with-caution warnings. Japanese Story presents both sides of this stereotype – from the beautiful, expansive, untouched land, to the hellish remoteness and helplessness one can face. It's a refreshing story that is carried perfectly by native actress Toni Colette.
