Best known for his Beautiful Losers film, Aaron Rose is a central figure in contemporary outsider arts. Championing artists and art with a common cultural thread - connections to skateboarding and graffiti - Rose can be found curating exhibitions, directing films, and editing magazines. Through all these Rose strives to inspire viewers through the visual arts, and most importantly document movements that may escape the mainstream.

Given the press surrounding Rose’s ventures, there is no doubt that his efforts are appreciated. However, it remains to note just how important the work becomes for future generations. More than simply sharing passion, Rose has archived a staggering amount of material. Through the film, through the magazines, and of course, in the exhibitions. People like Rose, those who understand the validity of capturing a moment, are vital to the process of history making.

Telling stories that are generally ignored does not always yield the accolades Rose receives. Yet, attempts to do so should not be dismissed. These are what establishes the voices of each generation. Builds the body of record that makes our lives understandable to future art lovers and cultural scholars. For this, Rose sets a true standard.

On April 9, Rose brings together the works of Barry McGee, Ed Templeton, and Raymond Pettibon, for an exhibition at Berlin’s Circle Culture Gallery. The three artists have never been shown together, but are culturally connected through skateboarding, graffiti and punk. They are indicative of the people Rose champions. Accepted into the art world, they remain outsiders for their reverence and firm connections to their subcultural roots. In short, as interest in them builds, little changes in their outlook. And, that is just what Rose is about.