Kessler’s Circus updates and politicizes the experience of Calder’s Circus. Following the tradition of performative mechanized sculpture, Kessler creates a playful format for his exploration of our modern war experience. The mischievous nature of Kessler’s hand belies a dark violence that is at once captivating and frightening. The business of death as mediated spectacle exposes anxieties and complacencies concerning surveillance, propaganda, and our ravenous consumption of celebrity.

John Kessler’s sculptural work is on view at Deitch Projects, 76 Grand Street, New York, until April 4, 2009.

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