Spanish-born Ivan Puig makes good use of sculptural forms in his large scale photography. “Tour de Force” (2001), shown above, is a fun example. His work doesn’t stop at fun though. He plays with societal issues like immigration and education through sculptural devices well.

At Scope New York, Puig is shown by Kunsthaus of Santa Fe, Mexico. Three works take up roughly one half of the booth, indicative of his oeuvre and telling of his interests.

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