Your Best Sweaters Deserve to be
Thrown on Some Beautiful Chairs

By Delia Cai

Photographed by Billal Taright

Styled by Colin King

Gallery: Demisch Danant

Interior stylist Colin King’s trick for showing off this fall’s best knits was inspired by what many of us do at the end of the day: throw our not-quite-dirty, not-quite-clean clothing onto the nearest chair. These particular chairs just happen to hail from the New York City–-based Demisch Danant gallery’s rather stylish collection of French modern furniture, which includes the iconic François Arnal Z Chair and René-Jean Caillette’s Folding Chair R.J.C. 


Under these circumstances, the task of choosing a perfect sweater-chair pairing becomes a delightful design exercise. What could be better than the ribbing on Wales Bonner’s Roots polo shirt to make the lines of the Z Chair pop? Or the sleeve of Emily Dawn Long’s take on a ’50s children’s jumper climbing the playfully corded back of Louis Sognot’s Low Chair? Don’t get us started on how the straps of Prada’s cherry-red knit tank mimic the legs of Jacques Charpentier’s stainless steel Chair just so. The first-best place for a really good sweater is on your body. But the second-best place is, without a doubt, on a really good chair. 

Image

Jacques Dumond and& Philippe Leloup


Pair of Bridge Chairs, 1961


Polished steel, painted aluminum, foam, suede


This steel-framed chair was designed as part of the Salon Saint-Tropez,” the largest public lounge aboard the SS France cruise liner, an international symbol of French luxury.


Sweater: Stone Island

Image

Antoine Philippon and Jacqueline Lecoq


“Confort” Desk Chair, Model 3001 T8, 1964


Cast aluminum, molded plywood, veneer, foam, fabric


Made from molded plywood and aluminum, this is what office chairs looked like in the days before ergonomics took over.


Sweater: Margaret Howell

Image

Francis Jourdain


Armchair, c. 1920


Ash and cherry woods, foam, fabric


This chair is an embodiment of Jourdain’s championing of humble, unornamented wooden furniture that working- class people could enjoy. 


Sweater: Loro Piana

Image

Maria Pergay


Chaise X / X Chair with Arms, 1968/2017


Brushed stainless steel, foam, fabric


Pergay, who self-identified less as a designer and more as a “captor of ideas,” was known for making steel look luxurious by combining it with soft leathers, as in the Chaise X. 


Sweater: 6397 

Image

Pierre Paulin


Pair of Iena Armchairs, 1985/2023


Sycamore, wood, foam, fabric


Paulin was so favored by the French elite that, at one point, he was invited to decorate the private apartments of President George Pompidou. This chair design was a commission from the French government in 1985 for a major office building in Paris. 


Sweater: Lauren Manoogian

Image

René-Jean Caillette


Pair of Chairs, c. 1987


Blue and white laminated wood, metal frame


This chair shows off Caillette’s commitment to clean, sculptural lines and his use of wood — a material he had a particular affinity for as the son of a cabinetmaker. 


Sweater: Ralph Lauren

Image

Roger Tallon / Technès


Orly Club Chair, 1966


Chromed steel, lacquered aluminum, rubber, foam, original vinyl


Designed in 1965 by Tallon and his studio, this model was produced by the office furniture company Flambo, which was known for its use of aluminum and steel. The arms are made of solid rubber instead of being upholstered, which was unusual for the time. 


Sweater: Loewe

Image

François Arnal / Atelier A


Z Chair, 1970


Chromed metal


Arnal was an artist and designer associated with the lyrical abstraction movement. The iconic Z Chair is an example of how he used industrial materials for avant-garde purposes.


Sweater: Wales Bonner

Image

René-Jean Caillette


Chair Primevère, c. 1967


Tubular lacquered metal, foam, felt


Many of Caillette’s furniture designs were mass-produced after World War II; the drawings of his designs, including this chair, are kept in the French government’s collection. 


Sweater: Hermès

Image

Louis Sognot


Low Chair, 1955


Solid beech, jonc de Sadroplast


This design by Sognot, who was known for his combinations of rattan and wood, received first prize in its category at the 1955 Salon des Arts Ménagers, a prestigious exhibition of domestic appliances, furniture, and home designs held in Paris each year.


Sweater: Emily Dawn Long

Image

Richard Peduzzi


Chair, c. 1992


Molded cherry laminate


A set designer, author, architect, and painter, Peduzzi designed sets that have been the backdrop for numerous theater and opera productions. This chair was a commission from the French government and embodies the minimalist ideal of ’90s furniture. 


Sweater: Dior

Image

Jacques Charpentier


Chair, c. 1970s


Steel


Charpentier’s career in the ’60s and ’70s saw him design bold furniture and lighting pieces using materials like stainless steel and leather, often associated with the Space Age aesthetic. 


Sweater: Prada

Image

Joseph-André Motte


Pair of Luge Chairs, 1966


Chromed steel, foam, fabric


Originally designed for the Mairie de Grenoble, France


Provenance: Public commission, Paris


These chairs by Motte, an iconic mid-century French designer, were commissioned for the city hall in Grenoble, France.


Sweater: Another Aspect

Image

René-Jean Caillette


Folding Chair R.J.C., 1986


Metal wire, varnished medium


This unique reversible folding chair design by Caillette represents the apex of French post-modern minimalism; the backrests and seats can be flipped so that the chair appears either all-black, all-tan, or mixed. 


Sweater: Celine