Beats by Dre teamed up with Highsnobiety to catch up with rapper/DJ MCNZI in the last of a three-part series about Germany’s rising, experimental musicians and culture makers. We caught up with MCNZI to talk about identity, failure, and how skateboarding taught him resilience.

MCNZI, who was born Julian McCarthy and goes by JJ to his friends, has an incredible amount of self-determination for a 25-year-old. “I used to say, before I have anybody work and produce stuff for me, I want to do it by myself. I want to say that I got my first million listens by my damn self. It was ego, but eventually what is real will always prosper and this is what I try to live by.” Last month, his track “The Funk” reached a million listens.

The artist, who is a part of the Berlin-based collective and record label Live from Earth, has been coming up in the city’s scene for several years, regularly playing at cult venues including Berghain and Griessmuehle. Unlike the aspiring DJs and artists that flock to the city from abroad in hope of breaking through, MCNZI was born in Zehlendorf, an affluent neighborhood on the outskirts of Berlin.As a half- American, half - German person of color with an anti- establishment mindset, MCNZI felt alienated in the conservative neighborhood bordered by lakes and forests.

“Every artist goes through their little trials and tribulations of becoming someone, I was that kid that didn't really fit into no niche. Also, being a person of color I always felt like I was never really there anywhere. I wasn't welcome or part of anything. I was lone wolfing.”

Lone wolfing never bothered MCNZI. He always had friends at high school that he’d play football with or recite lyrics to over the lunch hall table, but he didn’t feel like he belonged. Rather than get him down, this sense of alienation is what helped him harbor the defiant spirit that got him to where he is today. “I never wanted to fuck with something just because everyone was fucking with it,” he explains.

I never wanted to fuck with something just because everyone was fucking with it

- MCNZI

For MCNZI, being a lone wolf wasn’t about rejecting any particular group or ideal, but having the chance to dip into as many groups or ideals as he liked. He still goes by this today, “I don't have a gang, I had crews that co-exist with each other,” he says. He’ll flit between his skate crew, his circle of music peers, and still makes an effort to meet people with opposite views to his own to “diversify his thoughts”. His approach to fashion is similar. One day he’ll dress in a two-piece suit, shirtless underneath and in brogues, while the next, he’ll be skating in cons, cargo pants, and a tee.

Even his music can’t be pinned down to one genre. He records, plays, and performs under two alter egos: MCNZI and MCR-T. MCNZI, a derogatory nickname riffing off his surname that was given to him by his high school classmates for his ambitious attitude and miniature mustache reminiscent of you know whose, is the alibi he goes by when he raps in German and English to trap-heavy drumbeats, minimal ‘80s baselines, and pretty much everything in-between. MCR-T, his DJ persona, is, on the whole, for everything electronic-, techno- or house-infused.

What keeps him grounded throughout is his other lifelong passion besides music: skateboarding. He was drawn to the sport in his rebellious teen years and, although he wasn’t a natural (it took him four years to learn how to kickflip), he kept at it. Through skateboarding, he made some of his closest friends including Paul Herrmann and Stephan Grap who worked on the video and images on this page, and it also taught him the importance of failure. “Skateboarding has taught me that it [failure] is human. That it's part of victory. That every story of success is paved by many failures. The more you fail the more you become immune to criticism, to laughs, or to judgment.”

Skateboarding has taught me that failure is human. That it's part of victory.

- MCNZI

Three years ago MCNZI came close to “failing” completely when it came to his music career. He was broke, disillusioned with industry politics, internet algorithms, and tired of the hustle of being an independent artist. Deciding he needed a plan B, he applied to university to study communications design (a big fuck you to the teachers that failed him and kicked him out of school at 16). Six months into the three-year degree, he was asked to open for his friends, the rap group BHZ, at their album launch party.

“I had one of these 8 Mile moments. My manager was like, ‘you got three tracks to make these people want you’. I was playing to a crowd that didn’t know me and they weren't going too hard for the other people. It was make or break. I came out swinging and shit went crazy. After that we sat down [with Live From Earth], and they were like, ‘Shit was lit. Do you want be on the team?’ I couldn't believe it.”

He links this back to skating. “The land or slam mentality is the essence of not giving a fuck. You have this one chance. If you take too much influence from outside then you're not going to make it. You're going to slam. But even if you slam it's okay because you were going for it. And that's part of landing it. In order to be a winner, you've got to be a loser sometimes.”

The land or slam mentality is the essence of not giving a fuck.

- MCNZI

As part of a generation that’s widely accepted to be suffering from a mass identity crisis and could do with giving a lot less fucks about a lot of things, McCarthy is the antidote. The artist, who is just beginning to break through never wants to box himself in with ideas about what or who he should be. At the end of the day, the motto he lives by is that there’s only one person you need to prove things to: yourself. “[Skating] as a metaphor for life, is like you can have it if you want it but you've got to get it on your own. If you really want something you've got to put in the work because this is a one-man operation, a one-man job. There's only one way out and it's by trying. So, if you want to make something happen you've just got to try the fuck out of it. ”

Expect to see a lot from MCNZI, MCR-T, or whatever aliases he’ll take on in the future.

  • Director: Paul Herrmann
  • DOP: Mortiz Maltik
  • Art Director: Dan Hart Davies
  • 1st AC: Federico Settimelli
  • Photographer: Steffen Grap
  • Producer: Rochelle Bambury
  • Production Assistant: Sophia Parisel
  • Project Manager: Ilenia Vottari
  • HMU: Paloma Brytscha
  • Gaffer: Luke Sullivan