Highsnobiety

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HIGHSNOBIETY & A$AP ROCKY

NOVEMBER 2023

BY 

JORDAN COLEY

PHOTOGRAPHED 

RYAN MCGINLEY

STYLED 

SEBASTIAN JEAN

Let’s begin this cover story with a bit of a thought experiment:  Close your eyes and let your mind go blank, reader. Dwell in this emptiness for a moment. Now, I’d like you to try to think back to 2011. You’re at a loft party in Williamsburg. You feel the buzz of the BlackBerry in your pocket. Is that a flannel poking out from underneath that denim jacket? Remain here. Take another swig of that Pabst Blue Ribbon. Let the Katy Perry wash over you.

Now, come back, reader. Return to 2023. Open your eyes. Look around. Are any of those 2011 faces still here? Not many, right? But there are a few. Is there one particularly pretty one? Perhaps with braids? He’s got an air about him, huh? A certain jiggy-ness, let’s say.

“Still to this day, to have that type of following, influence, control, and that power is magical and rare,” A$AP Rocky says, reflecting on his more than a decade in the public’s good graces. The Harlem-bred star, whose profile has only continued to grow since he was last featured in these pages in 2015, is calculated, media savvy, and newly a parent. He has some boundaries to maintain, but also some things he’d like to catch us up on.

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When his first songs hit the Internet 12 summers ago, they ushered in a paradigm shift.  New York, hip hop’s ancestral home, was experiencing a period of dormancy. It had been nearly a decade since 50 Cent’s meteoric rise. And while Nicki Minaj’s Barbie-sized shoulders were doing more than their fair share to carry the city through this drought, things still lacked a little juice. New York was in need of something different, a new flavor to drag the city out of the shadow of its gilded past and into the future. Rocky and his mob of Black Scale and Rick Owens–clad co-conspirators were just that.

He certainly sounded new. Released in the fall of 2011, his first mixtape LIVE.LOVE.A$AP’s fusion of Memphis and Houston-indebted flows, spaced-out cloud rap production, and distinctly uptown swag was like a shot of adrenaline into the New York rap world’s heart. “Peso,” the single that would land Rocky on Hot 97’s hallowed airwaves for the first time, played like a compilation of all of regional rap’s best impulses: There were syncopated sprinkles of Bone Thugs, syrupy splashes of Pimp C, and the slick bravado of JAY-Z’s ’90s New York. At times a woozy, smoke-filled kickback and at others a raucous warehouse party, it was, as Jon Caramanica wrote in The New York Times, “deeply assured and heavily narcotic,” the rare instance where an artist emerged fully formed with their own unique look and sound.

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But even a breakout moment as momentous as Rocky’s doesn’t guarantee a lasting career.   All these years later, the now 35-year-old — and dad twice over with his partner, Rihanna (“being a parent changes everything for you,” he says) — is still a pop culture fixation. He’s a celebrity of the first order. The type of figure whose nice outfits command media coverage. How has Rocky done it? How has he managed to stay relevant in an entertainment landscape that has only grown more fickle and oversaturated since he first arrived?

The answer seems to lie, at least partially, in the company Rocky keeps. Over the years, he has collaborated with seemingly everyone. He’s dueted with Lana Del Rey, partnered extensively with British cult figure Dean Blunt, penned party anthems with Kendrick Lamar, and boosted cars with FKA twigs. He possesses aesthetic versatility shared by few others. This chameleonic quality, consummate charm, and creative polyglotism have helped endear him to audiences that extend far beyond the world of New York City hip hop. How many people on this planet can just as easily chop it up with N.O.R.E. on Drink Champs as they can cozy up with Michèle Lamy at Paris Fashion Week?

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These sorts of things may seem almost banal now with hip hop having infiltrated nearly every crevice of fashion, music, and pop culture,  but Rocky’s arrival on the scene was a major catalyst in bridging these worlds. As he was establishing himself as rap’s “Fashion Killa,” New York contemporaries such as Virgil Abloh, Matthew M. Williams, and Heron Preston had only just begun to plot their infiltration of the fashion establishment. In this way, he was an early adopter of a practice that has seemingly become industry standard: diversify, diversify, diversify.

We simply do not have enough space in this article to name all the collaborations Rocky has been a part of in the last decade (“Everything that I am working on excites me — or I wouldn’t be doing it!”), but here are just a few: a sneaker with Under Armour, a capsule collection with cutting edge French designer Marine Serre (partially designed while behind bars in Sweden), a signature pair of Vans, an appointment as PacSun’s guest artistic director, and a collaboration with Mercedes-Benz. “The industry is always evolving, and changes give opportunities to different ideas. I think it is important to try to embrace the newness and the ever-changing world,” Rocky says of his multidisciplinary engagements. In the last two years alone, he started a new whisky brand, Mercer + Prince, directed a commercial for Beats, and was recently named the creative director of Puma’s joint venture with Formula 1. This last post was more unexpected and in a space that he describes as being “very traditional.” He’s hoping to “shake the room up a bit.”

That’s all before we even get to the music.

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It’s been a full five years since his last studio album, Testing came out.  Though his most stylistically adventurous, the record was met with relatively tepid reviews, with some critics citing a lack of substance behind all the style and flair. Rocky describes the response to the album and its underwhelming commercial performance in a GQ profile in 2021; he said he was “emotionally discouraged.” However, in the last year, Rocky has rolled out a string of singles and some of his most compelling work in recent memory.

From left to right

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Last May, Rocky released “D.M.B.,” or “DAT$ MAH B!*$H,” a paean to the world’s most beloved Barbadian pop star and the mother of his two children.  Sonically, the song is a return to the genre-melding sound that first won him listeners all those years ago. The production — handled by a committee of all stars, including Skepta and LA stalwart Shlohmo — is a hypnotic slowburn that builds to the anthemic proclamation of love as Rocky croons, “You’re my soulmate, my goddess.” He debuted the song with a blockbuster music video that casts him and Rihanna as Mr. and Mrs. Outer-borough.

The pair lounge on a fire escape in Timberland boots and sorbet-toned furs; Rocky retrieves Rihanna at the hair salon in a studded Manchester United kit; Rihanna struts down the block in a knitted bikini top as neighborhood kids help her with the groceries. It’s a kaleidoscopic montage of coupled city bliss. In the video’s most poignant moment, the pair are wed in the hallway of a humble apartment complex. They lock eyes and he smiles, revealing a gleaming pair of custom fronts that say “MARRY ME?” She smiles in turn, a jewel-encrusted “I DO” capping her left canine.

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He’s followed “D.M.B” with “Same Problems?,” a more somber tune  released this past January on “Yams Day,” the date chosen to honor his late friend and collaborator A$AP Yams, who passed away in 2015. This July, he unleashed “Riot (Rowdy Pipe’n),” a punchy, brassy anthem produced by Pharrell and Tyler, the Creator. The song’s are believed to be the lead singles on his forthcoming project Don’t Be Dumb.

Rocky doesn’t see himself leaving the spotlight anytime soon. “I think while I’m still here, I got a duty to aspire to inspire,” he says. He still considers himself top of his class.

“There’s really only a few people who control the culture, and when I tell you that I’m at the forefront, believe dat!”

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A$AP ROCKY

STORY CREDITS

HIGHSNOBIETY

BY: 

JORDAN COLEY 

PHOTOGRAPHY: 

RYAN MCGINLEY 

STYLING: 

SEBASTIAN JEAN 

EXECUTIVE PRODUCER: 

TRISTAN RODRIGUEZ 

SET: 

JAVIER IRIGOYEN 

SKIN: 

MICHELLE WALDRON 

HAIR: 

TASHANA MILES 

HAIR ASSISTANT: 

NATASHA BREWSTER 

MANICURE: 

SONYA MEESH 

CHOREOGRAPHER: 

LUISA OPALESKY 

PRODUCTION: 

T • CREATIVE 

PRODUCTION MANAGER: 

MEHOW PODSTAWSKI 

PRODUCTION COORDINATOR:  

ZANE HOLLEY 

SPECIAL THANKS: 

MATTHEW HENSON 

STYLIST ASSISTANT: 

BRITTANY BRYANT 

PRODUCT MANAGER: 

SHAUN ROACH 

CREATIVE DEVELOPER: 

BELEN JONES 

DIGITAL ART DIRECTOR: 

LISLE ABRAHAMS